‘Neutralising Suffering: How the Medicalisation of Distress Obliterates Meaning and Creates Profit’ by Joanna Moncrieff

jmoncrieffThere is so much great content on Mad in America. Here’s an excellent article from British psychiatrist Joanna Moncrieff, one I wholeheartedly endorse. On the one hand, society discourages people from taking psychoactive drugs, and even prosecutes them for doing so, whilst on the other hand it encourages people to take psychoactive (prescription) drugs. Sometimes, they are the same drugs or very similar-acting.

‘People have used psychoactive substances to dull and deaden pain, misery and suffering since time immemorial, but only recently, in the last few decades, have people been persuaded that what they are doing in this situation is rightly thought of as taking a remedy for an underlying disease.

The spread of the use of prescription drugs has gone hand in hand with the increasing medicalization of everyday life, and a corresponding loss of the previous relationship that people had with psychoactive substances.

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‘Neutralising Suffering: How the Medicalisation of Distress Obliterates Meaning and Creates Profit’ by Joanna Moncrieff

jmoncrieffThere is so much great content on Mad in America. Here’s a piece from British psychiatrist Joanna Moncrieff, one I wholeheartedly endorse. In fact, this blog is essential reading. I first posted this blog on Recovery Stories in 2014. The original article on Mad in America has all the references.

‘People have used psychoactive substances to dull and deaden pain, misery and suffering since time immemorial, but only recently, in the last few decades, have people been persuaded that what they are doing in this situation is rightly thought of as taking a remedy for an underlying disease. The spread of the use of prescription drugs has gone hand in hand with the increasing medicalization of everyday life, and a corresponding loss of the previous relationship that people had with psychoactive substances.

Elizabeth Gaskell’s novel Mary Barton was originally to be named after Mary’s father John Barton, a working class factory hand addicted to opium. The novel depicts the unimaginable poverty and exploitation of industrial Manchester that made opium-induced oblivion an appealing escape.

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